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Search resuls for: "George Gurdjieff"


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Like many of her contemporaries, Varo fled Europe as war bore down on the continent, arriving in Mexico in 1941. It took more than a decade for her to exhibit her work there, but when she did, she left her mark. Alchemy and artistryDuring her life in Mexico City, Varo bonded with fellow artist Carrington and photographer Kati Horna. Remedios Varo/ARS, New York/VEGAP, Madrid/Art Institute of ChicagoVaro’s sense of humor periodically cuts through in her work. You see that on the surface of her work, with story and material coming together into one unified composition.
Persons: CNN —, Remedios Varo —, , los Remedios Alicia y Rodriga, Uranga —, André Breton, Varo, Juliana, Remedios Varo, Salvador Dalí, Joan Miró, Max Ernst, , Varo’s, “ Remedios Varo, Frida Kahlo, Leonora Carrington, Caitlin Haskell, Tere Arcq, El Juglar, , ” Haskell, Walter Gruen, Carrington, Kati Horna, George Gurdjieff, El, Rodrigo Chapa, Katrina Rush Organizations: CNN, Mexico City, Artists Rights Society, Art Institute of Chicago, Arte Moderno, York’s Museum of Modern, Art Institute Locations: Mexico, Spanish, Paris, Europe, New York, Madrid, Varo’s, Mexico —, United States, El, Mexico City, Venice, Ciencia
I was recently shown some frames from a film that I had never heard of: Alejandro Jodorowsky’s 1976 version of “Tron.” The sets were incredible. However, Mr. Jodorowsky, the visionary Chilean filmmaker, never tried to make “Tron.” I’m not even sure he knows what “Tron” is. caption caption caption caption caption caption caption caption caption caption caption Generation Text prompt The A.I. caption caption caption caption caption caption caption caption caption caption caption Generation Text prompt The A.I. If A.I.s were eligible for the Academy Awards, I’d vote for “Jodorowsky’s Tron” for best A.I.
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